Installation view
Printouts: Titian’s Salome (or possibly Judith), and empty glass
Installation view
Sutton Gallery, Melbourne, 2026
Image courtesy of Sutton Gallery
Photo: Andrew Curtis
Lizzie Siddal as Ophelia by Millais / as Beatrice by Rossetti
Printouts: Dürer skull (1521 AD), and Redon haunting
Installation view
Kazimir Malevich Black Cross postcard with thumbprint (2016)
All Merriment goes down, Delft plate
Printouts: Rossetti’s Delia study and detail from Mei’s Ghismunda
Galactic Pot Healer, inside back cover
Printout of Parsifal by Delville / photo of Tintagel (1992)
Diptych, printouts: candle and Ruben's Medusa (neck detail)
Medieval cemetery photo (1995)
Diptych, lounge wall (1990), and Crypt
Oil on gesso panel, 2025
Left panel: 10× 13cm
Right panel: 15× 11.5cm
Photo: Matthew Stanton
© Rachael Robb 2025
Printout of Mourning page (ca. 1500) with A4 paper
Printout of Solomon’s Twilight, Pity, Death
Installation view
Printouts: Titian’s Salome (or possibly Judith), and empty glass
Installation view
Sutton Gallery, Melbourne, 2026
Image courtesy of Sutton Gallery
Photo: Andrew Curtis
Lizzie Siddal as Ophelia by Millais / as Beatrice by Rossetti
Printouts: Dürer skull (1521 AD), and Redon haunting
Installation view
Kazimir Malevich Black Cross postcard with thumbprint (2016)
All Merriment goes down, Delft plate
NG: Baldung / Kalf
Printouts: Rossetti’s Delia study and detail from Mei’s Ghismunda
Skull
Photo of me (1993)
Galactic Pot Healer, inside back cover
Printout of Parsifal by Delville / photo of Tintagel (1992)
Diptych, printouts: candle and Ruben's Medusa (neck detail)
Medieval cemetery photo (1995)
Diptych, lounge wall (1990), and Crypt
Oil on gesso panel, 2025
Left panel: 10× 13cm
Right panel: 15× 11.5cm
Photo: Matthew Stanton
© Rachael Robb 2025
Printout of Mourning page (ca. 1500) with A4 paper
Printout of Solomon’s Twilight, Pity, Death
Scallop shell
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